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Madonna craves Gaga’s support

Madonna’s only just finished her Sweet and Sticky world tour, but she’s already lining up support acts for the next one, it seems. She’s made no secret of her admiration of Lady Gaga’s music and has expressed a huge interest in getting the Poker Face singer to support her on her next tour. An inside source told News of the World: “[Madonna] desperately wants to work with her. Basically, Gaga can name her price.” Hmm … doesn’t Madge consider Gaga a big enough star already, and past the stage of needing to play support? Guess not. Watch this space to see Gaga’s response. PHOTO CREDIT: EONLINE

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lakhanya : I really dont know about that
Lwin : About the rhhtym thing. This goes much further than just a few notes being a bit longer or shorter. A melody can get very different when the notes get to be different at the strong counts of the measure. There's also a big difference in the amount of swing a melody has. And don't forget rests.Also, when you look at full melodies, they're mostly build up from motives. One motive can be the same as in another melody, but if it's only three notes, the other ones will be different. This of course can go on forever. You can make them as long as you like.And there is also a different in octaves. An interval of an octave can be used in a melody as well and gives character, not only colour. And also bigger jumps. But the development of the melody plays a big role too. A melody can end up an octave of maybe two higher.There's also no specified time. A melody can be played in 64th notes if you like over a tempo of 200 bpm or whole notes (or longer) over a tempo of 10 bpm. They may be the same notes and have the same relation between them rhhtymically, no one's going to hear them as the same. Even half tempo.So for every possible order of notes (including intervals over the octave) you have the tempo, rhhtym, context (chords). I imagine the numbers get insanely big.
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